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Adam Spreadbury-Maher
Adam Spreadbury-Maher is a multi-award-winning Australian/Irish theatre artistic director, producer and translator. He was the founding Artistic Director of London's Cock Tavern Theatre from January 2009 until the venues closure in April 2011. He became Artistic Director of the King's Head Theatre in March 2010. He is the artistic director of theatre company Good Night Out Presents and joint artistic director of opera company OperaUpClose.
==Biography==
Spreadbury-Maher was born in Australia. He received his initial training as an opera singer at the Canberra School of Music. His debut directorial production of Jonathan Harvey’s ''Beautiful Thing'' won Spreadbury-Maher an Australian Critics’ Circle Award in 2004.〔(GaydarNation ). Rainbownetwork.com. Retrieved on 28 January 2011.〕 In 2005 Adam moved to the UK, and, after walking out of training at London's Central School of Speech and Drama, made his London directing debut at White Bear Theatre, producing three critically successful shows as the theatre’s Associate Director, including the two world premieres ''The Ides of March'' by Duncan Ley and "Studies for a Portrait" by Daniel Reitz. In 2008 Adam founded theatre company Good Night Out Presents which is the parent company of his venues and theatre/opera companies. The company's production of ''Studies for a Portrait'' transferred to the Oval House Theatre〔()〕 following its critics' choice sell-out run at the White Bear Theatre.〔(Studies for a Portrait Reviews at The King's Head Theatre – London ). Whatsonstage.com (13 April 2010). Retrieved on 28 January 2011.〕 In 2008 Spreadbury-Maher directed Australian actor Mark Little in a production of ''Così'' by Louis Nowra, also for Good Night Out Presents.〔 Other notable productions include the first UK revival of Peter Gill’s ''The York Realist'', presented at Riverside Studios to mark Gill’s 70th birthday.〔(The York Realist at Riverside Studios – Off-West End – Time Out London ). Timeout.com (1 October 2009). Retrieved on 28 January 2011.〕
In 2010, Spreadbury-Maher was Associate Director on UK premiere of the multi-award winning ''Holding the Man'', adapted by Tommy Murphy and based on the novel by Timothy Conigrave.〔(Cast & Creative ). Holding The Man. Retrieved on 28 January 2011.〕 Further 2010 directing work included UK premiere of Hannie Rayson's landmark Australian play ''Hotel Sorrento'',〔(The Stage / Reviews / Hotel Sorrento ). Thestage.co.uk (23 August 2010). Retrieved on 28 January 2011.〕 the rarely revived first play of Peter Gill’s ''The Sleepers Den,''〔(The British Theatre Guide : Reviews – The Sleepers Den (Riverside Studios) ). Britishtheatreguide.info. Retrieved on 28 January 2011.〕 the world premiere of Edward Bond's ''There Will Be More''.〔(The Stage / Listings / There Will Be More ). Thestage.co.uk (13 November 2010). Retrieved on 28 January 2011.〕 Spreadbury-Maher ended 2010 with his operatic directing debut in a new version of "Madama Butterfly" retitled “Bangkok Butterfly”, which he adapted in English with Ben Cooper for OperaUpClose. The production ran for four months at King's Head Theatre, garnishing critical notice from Fiona Maddocks in ''The Observer'', “Madam Butterfly has been updated to Bangkok Butterfly to chilling effect... full of promise and musically intelligent.” and Michael Tanner in ''The Spectator'', "Beautiful and sexy... the evening was a powerful one".〔()〕
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